Author:Callenbach, Ernest, ed

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Film Quarterly (Fall 1982) [cover: Bob Hoskins in THE LONG GOOD FRIDAY]

By: (Callenbach, Ernest, ed.)

Price: $15.00

Publisher: Berkeley, University of California Press: 1982

Edition: (Vol. XXXVI, No. 1)

Seller ID: 25379

Binding: Periodical

Condition: Near Fine

[nice clean copy, minimal handling wear]. (B&W photographs) This issue includes interviews with Hector Babenco (with special attention to his film PIXOTE) and Emile de Antonio (the latter interviewing himself). Articles: "Time and Stasis in LA JETÉE" (about the Chris Marker film); an analysis of three films by Walter Hill (SOUTHERN COMFORT, THE LONG RIDERS, and THE WARRIORS); an analysis of Jonathan Demme's MELVIN AND HOWARD and its connections with the work of Frank Capra. Film reviews: TIME BANDITS (Terry Gilliam), VICTOR/VICTORIA (Blake Edwards), THE LONG GOOD FRIDAY (John MacKenz...
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Film Quarterly (Spring 1983) [cover: ATOMIC CAFE]

By: (Callenbach, Ernest, ed.)

Price: $15.00

Publisher: Berkeley, University of California Press: 1983

Edition: (Vol. XXXVI, No. 3)

Seller ID: 25419

Binding: Magazine

Condition: Near Fine

[nice clean copy, just a trace of handling wear]. (B&W photographs) In this issue: an interview with Vittorio Taviani; "Confessions of a Feminist Porn Watcher," by Scott MacDonald; "The Voice of Documentary," by Bill Nichols (including discussion of SOLDIER GIRLS, ROSIE THE RIVETER and WEDDING CAMELS); an article about racial discrimination and ethnographic filmmaking in Australia, with focus on the documentary film TWO LAWS; "Human Artifice and the Science Fiction Film," by J.P. Telotte (discussing THE THING, INVASION OF THE BODY SNATCHERS and BLADE RUNNER). Films rev...
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Film Quarterly (Winter 1981-1982) [cover: Hanna Schygulla in Fassbinder's LILI MARLEEN]

By: Callenbach, Ernest, ed.

Price: $15.00

Publisher: Berkeley, University of California Press: 1981-1982

Edition: (Vol. XXXV, No. 2)

Seller ID: 25153

Binding: Periodical

Condition: Very Good+

[upper section of front cover a little wrinkled, light external surface wear]. (B&W photographs) Article in this issue: "A Musical Comedy of Empire" by Brian Henderson, an analysis of of "imperialist machinations" underlying the Astaire-Rogers musical FLYING DOWN TO RIO (1933); "Le Nouveau Godard" by Peter Harcourt, an exploration of the director's SAUVE QUI PEUT (LA VIE) (1980); "M.P.A.A. Ratings and the Box Office," a statistical analysis. Also included is an interview with director Georges Franju, and reviews of these contemporary films: LILI MARLEEN; LIGHT...
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Film Quarterly (Spring 1982) [cover: Les Blank's ALWAYS FOR PLEASURE]

By: Callenbach, Ernest, ed.

Price: $15.00

Publisher: Berkeley, University of California Press: 1982

Edition: (Vol. XXXV, No. 3)

Seller ID: 25154

Binding: Periodical

Condition: Fine

[pristine copy, with no discernible wear]. (B&W photographs) In this issue: an interview with the great cinematographer Vittorio Storaro; a long analysis of Abel Gance's NAPOLEON; an examination of the work of documentary filmmaker Les Blank; an examination of the relationship of filmmaker Stan Brakhage's work to that of postmodernist poet Charles Olson. Also reviews of contemporary films: REDS; MONTENEGRO; and TAPS. Book reviewed include David Thomson's "Overexposures." (We have numerous other issues of this and other film-related periodicals that are not listed online; please inqui...
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Film Quarterly (Summer 1982) [cover: István Szabó's CONFIDENCE]

By: Callenbach, Ernest, ed.

Price: $15.00

Publisher: Berkeley, University of California Press: 1982

Edition: (Vol. XXXV, No. 4)

Seller ID: 25156

Binding: Periodical

Condition: Near Fine

[minor wear to front cover]. (B&W photographs) The primary feature of this issue is their annual round-up of the year's film books, with reviews or informative annotations on almost 100 books. Also in this issue: an interview with the renowned Hungarian filmmaker István Szabó; two articles, "Power and Dis-Integration in the Films of Orson Welles" by Beverle Houston, and "Harvard Film Studies: A Review" by Brian Henderson; and a review of Szabó's film CONFIDENCE (1980). (We have numerous other issues of this and other film-related periodicals that are not listed online; pl...
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Film Quarterly (Summer 1962) [cover: drawing for OF STARS AND MEN]

By: Callenbach, Ernest, ed.

Price: $20.00

Publisher: Berkeley, University of California Press: 1962

Edition: (Vol. XV, No. 4)

Seller ID: 24422

Binding: Magazine

Condition: Very Good

[moderate edgewear to covers, mostly along spine]. (B&W photographs) Highlights of this issue: an interview with Harold Lloyd; a long article by Pauline Kael, consisting of "remarks on movie critics and some recent movies," most notably Jack Clayton's THE INNOCENTS, but also taking in A VIEW FROM THE BRIDGE and WEST SIDE STORY (which is also reviewed separately in this issue by Albert Johnson), among others; a rundown on "Films of the Quarter," with contributions by Kael, Stanley Kauffmann, Gavin Lambert, Dwight Macdonald, and Jonas Mekas; a section of revi...
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Film Quarterly (Spring 1963) [cover: lobby of the Fox Theatre, San Francisco]

By: {Kael, Pauline} Callenbach, Ernest, ed.

Price: $25.00

Publisher: Berkeley, University of California Press: 1963

Edition: (Vol. XVI, No. 3)

Seller ID: 22758

ISBN: NO

Binding: Periodical

Condition: Very Good+

[nice clean copy, minor rubbing/scuffing to rear cover, a little wear at extremities]. (B&W photographs) Founded in 1946 as "Hollywood Quarterly," this was one of the best "serious" film journal of its day, and one of its greatest pleasures was encountering the early film criticism of Pauline Kael, preceding her legendary stint at The New Yorker, which commenced in 1968. This issue, in addition to Kael's review of Peter Ustinov's BILLY BUDD (which she generally praises, but also typically uses to get in a shot at Lewis Milestone's "slovenly, incoherent" MUTINY ON THE ...
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Author:Callenbach, Ernest, ed

Film Quarterly (Fall 1982) [cover: Bob Hoskins in THE LONG GOOD FRIDAY]

Film Quarterly (Spring 1983) [cover: ATOMIC CAFE]

Film Quarterly (Winter 1981-1982) [cover: Hanna Schygulla in Fassbinder's LILI MARLEEN]

Film Quarterly (Spring 1982) [cover: Les Blank's ALWAYS FOR PLEASURE]

Film Quarterly (Summer 1982) [cover: István Szabó's CONFIDENCE]

Film Quarterly (Summer 1962) [cover: drawing for OF STARS AND MEN]

Film Quarterly (Spring 1963) [cover: lobby of the Fox Theatre, San Francisco]