Author:Callenbach, Ernest, ed

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Film Quarterly (Fall 1982) [cover: Bob Hoskins in THE LONG GOOD FRIDAY]

By: (Callenbach, Ernest, ed.)

Price: $15.00

Publisher: Berkeley, University of California Press: 1982

Edition: (Vol. XXXVI, No. 1)

Seller ID: 25379

Binding: Periodical

Condition: Near Fine

[nice clean copy, minimal handling wear]. (B&W photographs) This issue includes interviews with Hector Babenco (with special attention to his film PIXOTE) and Emile de Antonio (the latter interviewing himself). Articles: "Time and Stasis in LA JETÉE" (about the Chris Marker film); an analysis of three films by Walter Hill (SOUTHERN COMFORT, THE LONG RIDERS, and THE WARRIORS); an analysis of Jonathan Demme's MELVIN AND HOWARD and its connections with the work of Frank Capra. Film reviews: TIME BANDITS (Terry Gilliam), VICTOR/VICTORIA (Blake Edwards), THE LONG GOOD FRIDAY (John MacKenz...
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Film Quarterly (Summer 1983) [cover: Sandra Bernhard and Robert DeNiro in THE KING OF COMEDY]

By: (Callenbach, Ernest, ed.)

Price: $15.00

Publisher: Berkeley, University of California Press: 1983

Edition: (Vol. XXXVI, No. 4)

Seller ID: 25529

Binding: Magazine

Condition: Near Fine

[nice clean copy, minor wrinkling to front cover]. (B&W photographs) In this issue: an interview with Michelangelo Antonioni; an article by film theoretician Brian Henderson, "Tense, Mood and Voice in Film (Notes After Genette)"; an in-depth review of Martin Scorsese's THE KING OF COMEDY; a long review of Charles Musser's book "Before the Nickelodeon: The Early Cinema of Edwin Porter"; the first part of a special feature on the year's film books (covering autobiographies/biographies, criticism, director studies, genre studies, and history; continued in the next issue) ***NOTE ...
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Film Quarterly (Winter 1982-83) [cover: Willie Nelson in BARBAROSA]

By: (Callenbach, Ernest, ed.)

Price: $15.00

Publisher: Berkeley, University of California Press: 1982

Edition: (Vol. XXXVI, No. 2)

Seller ID: 25387

Binding: Periodical

Condition: Near Fine

[nice clean copy, just a trace of handling wear]. (B&W photographs) In this issue: an interview with Andrzej Wajda, then in Paris filming DANTON; "The Reference Shelf Shuffle," a critical review of film "encyclopedias, histories, and other supposedly authoritative sources of facts [that] are shot through with error and misinformation"; an article entitled "Slow Fade to Afro: The Black Presence in Brazilian Cinema." Films reviewed: BLADE RUNNER (Ridley Scott), THE WORLD ACCORDING TO GARP (George Roy Hill), ZOOT SUIT (Luis Valdez), RADIO ON (Chris Petit), and BARBAROSA (...
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Film Quarterly (Fall 1981) [cover: a scene from MON ONCLE D'AMERIQUE]

By: (Callenbach, Ernest, ed.)

Price: $15.00

Publisher: Berkeley, University of California Press: 1981

Edition: (Vol. XXXV, No. 1)

Seller ID: 25380

Binding: Periodical

Condition: Very Good+

[nice clean copy, minor creasing at bottom right corner of front cover]. (B&W photographs) In this issue: an analysis of two films by Jacques Rivette, L'AMOUR FOU and CELINE AND JULIE GO BOATING; an analysis of two recent films by Andrei Tarkovsky, THE MIRROR and STALKER; an analysis of Michelle Citron's DAUGHTER RITE, "a structurally ambitous feminist film [that] subverts conventional documentary forms"; and an article about Charles Chaplin, "Chaplin: The Antagonism of the Comic Hero." Also includes a "Controversy and Correspondence" section devoted to the burning que...
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Film Quarterly (Spring 1983) [cover: ATOMIC CAFE]

By: (Callenbach, Ernest, ed.)

Price: $15.00

Publisher: Berkeley, University of California Press: 1983

Edition: (Vol. XXXVI, No. 3)

Seller ID: 25419

Binding: Magazine

Condition: Near Fine

[nice clean copy, just a trace of handling wear]. (B&W photographs) In this issue: an interview with Vittorio Taviani; "Confessions of a Feminist Porn Watcher," by Scott MacDonald; "The Voice of Documentary," by Bill Nichols (including discussion of SOLDIER GIRLS, ROSIE THE RIVETER and WEDDING CAMELS); an article about racial discrimination and ethnographic filmmaking in Australia, with focus on the documentary film TWO LAWS; "Human Artifice and the Science Fiction Film," by J.P. Telotte (discussing THE THING, INVASION OF THE BODY SNATCHERS and BLADE RUNNER). Films rev...
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Film Quarterly (Spring 1982) [cover: Les Blank's ALWAYS FOR PLEASURE]

By: Callenbach, Ernest, ed.

Price: $15.00

Publisher: Berkeley, University of California Press: 1982

Edition: (Vol. XXXV, No. 3)

Seller ID: 25154

Binding: Periodical

Condition: Fine

[pristine copy, with no discernible wear]. (B&W photographs) In this issue: an interview with the great cinematographer Vittorio Storaro; a long analysis of Abel Gance's NAPOLEON; an examination of the work of documentary filmmaker Les Blank; an examination of the relationship of filmmaker Stan Brakhage's work to that of postmodernist poet Charles Olson. Also reviews of contemporary films: REDS; MONTENEGRO; and TAPS. Book reviewed include David Thomson's "Overexposures." (We have numerous other issues of this and other film-related periodicals that are not listed online; please inqui...
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Film Quarterly (Winter 1981-1982) [cover: Hanna Schygulla in Fassbinder's LILI MARLEEN]

By: Callenbach, Ernest, ed.

Price: $15.00

Publisher: Berkeley, University of California Press: 1981-1982

Edition: (Vol. XXXV, No. 2)

Seller ID: 25153

Binding: Periodical

Condition: Very Good+

[upper section of front cover a little wrinkled, light external surface wear]. (B&W photographs) Article in this issue: "A Musical Comedy of Empire" by Brian Henderson, an analysis of of "imperialist machinations" underlying the Astaire-Rogers musical FLYING DOWN TO RIO (1933); "Le Nouveau Godard" by Peter Harcourt, an exploration of the director's SAUVE QUI PEUT (LA VIE) (1980); "M.P.A.A. Ratings and the Box Office," a statistical analysis. Also included is an interview with director Georges Franju, and reviews of these contemporary films: LILI MARLEEN; LIGHT...
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Film Quarterly (Summer 1982) [cover: István Szabó's CONFIDENCE]

By: Callenbach, Ernest, ed.

Price: $15.00

Publisher: Berkeley, University of California Press: 1982

Edition: (Vol. XXXV, No. 4)

Seller ID: 25156

Binding: Periodical

Condition: Near Fine

[minor wear to front cover]. (B&W photographs) The primary feature of this issue is their annual round-up of the year's film books, with reviews or informative annotations on almost 100 books. Also in this issue: an interview with the renowned Hungarian filmmaker István Szabó; two articles, "Power and Dis-Integration in the Films of Orson Welles" by Beverle Houston, and "Harvard Film Studies: A Review" by Brian Henderson; and a review of Szabó's film CONFIDENCE (1980). (We have numerous other issues of this and other film-related periodicals that are not listed online; pl...
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Film Quarterly (Summer 1962) [cover: drawing for OF STARS AND MEN]

By: Callenbach, Ernest, ed.

Price: $20.00

Publisher: Berkeley, University of California Press: 1962

Edition: (Vol. XV, No. 4)

Seller ID: 24422

Binding: Magazine

Condition: Very Good

[moderate edgewear to covers, mostly along spine]. (B&W photographs) Highlights of this issue: an interview with Harold Lloyd; a long article by Pauline Kael, consisting of "remarks on movie critics and some recent movies," most notably Jack Clayton's THE INNOCENTS, but also taking in A VIEW FROM THE BRIDGE and WEST SIDE STORY (which is also reviewed separately in this issue by Albert Johnson), among others; a rundown on "Films of the Quarter," with contributions by Kael, Stanley Kauffmann, Gavin Lambert, Dwight Macdonald, and Jonas Mekas; a section of reviews of "New York...
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Film Quarterly (Fall 1968) [cover: 2001: A SPACE ODYSSEY]

By: Callenbach, Ernest, ed.

Price: $15.00

Publisher: Berkeley, University of California Press: 1968

Edition: (Vol. XXII, No. 1)

Seller ID: 25428

Binding: Magazine

Condition: Near Fine

[light handling wear only, a nice clean copy]. (B&W photographs) In this issue (the Tenth Anniversary Issue): "Looking Back," an article by editor Callenbach reflecting on the development of film culture since the magazine's founding; "Harlequin's Stick, Charlie's Cane," a long article by David Madden exploring the relationship between slapstick movie comedy and the commedia dell'arte; an interview with film critic Judith Crist; an article about Norman McLaren's use of stop-motion animation; an examination of the films of Carl Linder; an article on "Animation in Zagreb"...
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Film Quarterly (Spring 1963) [cover: lobby of the Fox Theatre, San Francisco]

By: {Kael, Pauline} Callenbach, Ernest, ed.

Price: $25.00

Publisher: Berkeley, University of California Press: 1963

Edition: (Vol. XVI, No. 3)

Seller ID: 22758

ISBN: NO

Binding: Periodical

Condition: Very Good+

[nice clean copy, minor rubbing/scuffing to rear cover, a little wear at extremities]. (B&W photographs) Founded in 1946 as "Hollywood Quarterly," this was one of the best "serious" film journal of its day, and one of its greatest pleasures was encountering the early film criticism of Pauline Kael, preceding her legendary stint at The New Yorker, which commenced in 1968. This issue, in addition to Kael's review of Peter Ustinov's BILLY BUDD (which she generally praises, but also typically uses to get in a shot at Lewis Milestone's "slovenly, incoherent" MUTINY ON THE ...
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Author:Callenbach, Ernest, ed