[nice clean copy, minor handling wear, very short diagonal crease at upper corner of front cover]. (B&W photographs) Article about the restoration of D.W. Griffith's INTOLERANCE; article about Norman Jewison and IN COUNTRY; article about STORY OF WOMEN (Claude Chabrol); an appreciation of Laurence Olivier, by Richard Schickel; interview with Euzhan Palcy about her film A DRY WHITE SEASON; a review by Andrew Sarris of Patrick McGilligan's biography of Robert Altman; an article featuring quotes from Dolly Parton; an article on new Australian filmmakers. The midsection, "Cinematographers: Ey... View More...
[light edgewear to covers; see Notes about special appeal page, bound in]. (B&W photographs) Included in this issue: an interview with French director Bertrand Tavernier, focusing on his appreciation for the classic American cinema; a special section, "The World in His Arms," saluting that year's AFI Life Achievement Award recipient, Gregory Peck; an analysis of the Australian film PROOF, directed by Joceyn Moorhouse; a history and appreciation of the contributions of Industrial Light and Magic to cinema special effects (but also including a list of "Ten Great Effects Films Since S... View More...
[nice clean copy with no discernible wear, just a touch of browning along the spine]. (B&W photographs) In this issue: long reviews/analyses of SYLVIA SCARLETT (George Cukor), two Italian films (Bernardo Bertolucci's PARTNER and Marco Bellocchio's IN THE NAME OF THE FATHER), and THE PARALLAX VIEW (Alan J. Pakula). Also: an article by Alan Williams about the tribulations of writing for French film journals; a lengthy review of Joan Mellen's book "Women and Their Sexuality in the New Film"; a short review of STATE OF SIEGE (Costa-Gavras). And "Quickie" reviews of THE TERMINAL ... View More...
[beautiful copy, the teensiest bit of handling wear]. (B&W photographs) In this issue: long reviews/analyses of THE TAMARIND SEED (Blake Edwards), INTIMATE CONFESSIONS OF A CHINESE COURTESAN (Chu Yuan), and THE EMIGRANTS and THE NEW LAND (Jan Troell). Also: "Quickie" reviews of BREEZY (Clint Eastwood), LOVE AND ANARCHY (Lina Wertmuller), DEATH WISH (Michael Winner), UPTOWN SATURDAY NIGHT (Sidney Poitier), DETECTIVE STORY (William Wyler), THE LONGEST YARD (Robert Aldrich), THE ABDICATION (Anthony Harvey), MACON COUNTY LINE (Richard Compton), ANDY WARHOL'S FRANKENSTEIN (Paul Morrissey)... View More...
[nice clean copy with no discernible wear]. (B&W photographs) Features include: a report on the 1974 San Francisco International Film Festival; an assessment of DRACULA HAS RISEN FROM THE GRAVE (Freddie Francis); an article on Cuban cinema; analysis of MOROCCO (Josef von Sternberg); reviews of HARRY AND TONTO (Paul Mazursky), PHASE IV (Saul Bass; depicted on the cover), THE ODESSA FILE (Ronald Neame), THE JACKAL OF NAHUELTORO (Miguel Littin), WEDDING IN BLOOD (Claude Chabrol), LAW AND DISORDER (Ivan Passer), others. ***NOTE that we have many more issues of this title (and other film magazine... View More...
[minor soiling to rear cover, very slight bump/bend at upper right, faint stain from removed price sticker on front cover]. (B&W photographs) Features include: the regular contributors' always-provocative "Best Lists"for 1974; the editors' wonderful "Moments out of Time" feature for the previous year ("Scenes, shots, sensations, and ineffable slippings-away, remembered"); review/analysis of THE CEREMONY (Nagisa Oshima); an interview with Canadian author Mordecai Richler, specifically focusing on the film adaptation of his novel THE APPRENTICESHIP OF DUDDY KRAVITZ; revi... View More...
[minor rubbing to covers, small stain at top of front cover, a couple of totally unnecessary pen scribbles near bottom of front cover, apparently executed by some idiot trying to figure out if his pen still worked]. (B&W photographs) Features include: a reassessment of Orson Welles' TOUCH OF EVIL, occasioned by the resurfacing of a longer print (this was before "restoration" was being done on every other movie in the vaults); analysis of LANCELOT DU LAC (Robert Bresson); contributing writers' "Ten Best" lists for 1975, and the editors' annual "Moments out of Time" featu... View More...
[nice clean copy, very light handling wear, faint age-toning along spine; an unmarked, non-subscription copy]. (B&W photographs) Special issue devoted to "B Pix, Film Noir, Etc.", featuring: an appreciation of William K. Howard's BACK DOOR TO HEAVEN; a discussion of D.O.A. (Rudolph Mate); a review of DETOUR (Edgar G. Ulmer), considered by many the greatest B-movie ever made; a short essay on THE COBWEB (Vincente Minnelli); an important correction to the previous issue's article about TOUCH OF EVIL; short reviews of BARRY LYNDON (Stanley Kubrick), THE MAGIC FLUTE (Ingmar Bergman), HEAR... View More...
[light handling wear and faint external soiling; subscription copy with original owner's name/address printed on rear cover]. (B&W photographs) Features include: an interview with director Richard Lester, and a review of his new film ROBIN AND MARIAN; a report on young German filmmakers ( incl. Fassbinder); a re-appraisal of Francois Truffaut's THE STORY OF ADELE H.; a discussion of Allan Dwan's TENNESSEE'S PARTNER (1955), based on a story by Bret Harte, as "a how-not-to textbook of adaptation"; short reviews of THE MAN WHO WOULD BE KING (John Huston), ALL THE PRESIDENT'S MEN (Alan J. ... View More...
[no significant wear, but some browning to inside front cover from laid-in newspaper and magazine clippings]. (B&W photographs) A little more than half of this lively and engaging film journal is devoted to Fuller and his work. It contains an interview by Richard Thompson, focusing substantially on Fuller's early journalistic career; articles/analyses of I SHOT JESSE JAMES, THE STEEL HELMET and RUN OF THE ARROW; and an insightful account by editor Jameson of Fuller's visit to the Seattle Film Society for "46-1/2 exhilarating, excruciating, mind-boggling, adrenalin-jagging hours" in May of 19... View More...
[nice clean copy, tiny gouge at top edge of front cover, otherwise just light handling wear; an unmarked non-subscription copy]. (B&W photographs) Features include: an analysis of Steven Spielberg's films to date (the telefilm DUEL, THE SUGARLAND EXPRESS and JAWS), possibly one of the earliest films to take Spielberg seriously as an auteur (yes, they still said "auteur" in 1976; I was there); an article, "Another Side of Sam Peckinpah," by Rick Hermann, focusing on JUNIOR BONNER and THE BALLAD OF CABLE HOGUE; a "formal appreciation" of Fritz Lang's great wacko Western ... View More...
[minor edgewear to covers, light handling wear; an unmarked, non-subscription copy]. (B&W photographs) Features include: a review of the film year 1976, "Which Will Be Charitably Forgotten by the Year 2000," including contributing writers' ten-best lists and the editor's "Moments out of Time" feature; reviews/ analyses of THE SHOOTIST (Don Siegel) and OBSESSION (Brian de Palma); a report on the 20th San Francisco Film Festival; short reviews of CARRIE ( de Palma), KING KONG (John Guillermin), THE OUTLAW JOSEY WALES (Clint Eastwood), SILENT MOVIE (Mel Brooks), others. (++) View More...
[light soiling to rear cover, subscriber's name/address and a small mailing-related label on rear cover]. (B&W photographs) Features include: an interview with Robert Altman; analysis of WELCOME TO L.A. (Alan Rudolph), illustrated on the cover; analysis of Leo McCarey's RUGGLES OF RED GAP; an article on the film scene in Olympia, Washington; short reviews of LUMIERE (Jeanne Moreau), MONSIEUR VERDOUX (Charles Chaplin), SORCERER (William Friedkin), STAR WARS (George Lucas), others. (++) View More...
[light handling wear, slight bumping to corners, faint soiling to rear cover; subscriber's name/address printed on rear cover]. (B&W photographs) Features include: an article on film noir comedies of the 1940's; an examination of Werner Herzog's AGUIRRE, THE WRATH OF GOD as a "remake" of his SIGNS OF LIFE; erratum to previous issue's interview with Robert Altman; long discussion of SCARAMOUCHE (George Sidney, 1952); article, " The Devil's Parties," a discussion of "recent dabblings in cinematic diabolism," including the two EXORCIST films; short reviews of EQUUS ( Sidn... View More...
[light external wear; subscriber's name/address printed on rear cover]. (B&W photographs) Features include: an appreciation of Robert Altman's 3 WOMEN; a discussion of Max Ophuls's use of "domestic spaces" in THE RECKLESS MOMENT; an article about the "changing surrealist vision" in several films by Luis Bunuel; a joint interview with Claude Goretta and Isabelle Huppert; an analysis of Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND; "quickie" reviews of almost two dozen films, including THE BUDDY HOLLY STORY (Steve Rash), AN UNMARRIED WOMAN (Paul Mazursky), CELINE... View More...
[nice clean copy, no significant wear, slight raggedness to right edge of front cover (possibly intentional); an unmarked, non-subscription copy]. (B&W photographs) Features include: a "fresh approach to a much-maligned film," Bernardo Bertolucci's LUNA; a survey of the film year 1979, with ten-best lists and the editor's "Moments out of Time" feature; an appreciation of film critic David Thomson; a reappraisal of Tony Richardson's THE LOVED ONE; short reviews of 10 (Blake Edwards), AMERICAN GIGOLO (Paul Schrader), ALIEN ( Ridley Scott), many others. View More...
[some wear at edges/corners, subscriber's name/address printed on rear cover]. (B&W photographs) Features include: a long interview with writer/director/novelist John Sayles; a review of CINEMA DEAD OR ALIVE, a film about the making of Alain Tanner's JONAH WHO WILL BE 16 IN THE YEAR 2000; an interview with character actor Strother Martin (pictured on the cover); short reviews of BRONCO BILLY (Clint Eastwood), ORDINARY PEOPLE (Robert Redford), THE BLACK STALLION (Carroll Ballard), THE SHINING (Stanley Kubrick), THE BIG RED ONE (Samuel Fuller), FAME (Alan Parker), many others. (++) View More...
[minor edgewear, very light scuffing to front cover]. (B&W and color photographs) Special supplement to issue 57/58 of "Revista Cultura" (if I'm translating the publication information correctly), focusing exclusively on the then-current state of the cinema in Argentina. About two-thirds of the publication is in English, and features the following: an interview with Julio Maharbiz, director of the Institute for Cinema and Audio-Visual Arts; an interview with Barney Finn, artistic director of the Mar del Plata International Festival; an article, "La Dama Regresa, Moebius and Sol de Otoo: Clues... View More...
[very nice, as-new condition]. (B&W photographs) Feature article on Dwight Frye (with filmography); article on the 1949 (Alan Ladd) version of THE GREAT GATSBY; career article on Jayne Meadows (with filmography); "RKO Revisited" feature with brief reviews of four films. ***NOTE that we have many more issues of this title (and other film magazines) in stock, and welcome your inquiries. View More...
[very nice, as-new condition]. (B&W photographs) Feature articles on Rochelle Hudson and Peggy Moran (with filmographies). ***NOTE that we have many more issues of this title (and other film magazines) in stock, and welcome your inquiries. View More...
![Image for Film Comment (September-October 1989) [Lillian Gish/INTOLERANCE cover]](https://www.readinkbooks.com/assets/images/product/9137.jpg)
![Image for Film Comment (March-April 1992) [cover: Gregory Peck]](https://www.readinkbooks.com/assets/images/product/22603.jpg)
![Image for Movietone News; issue number 34 (August 1974) [cover: Tina Aumont in Bernardo Bertolucci's PARTNER]](/assets/images/product/25408.jpg)
![Image for Movietone News; issue number 35 (September 1974) [cover: Julie Andrews and Anthony Quayle in THE TAMARIND SEED]](/assets/images/product/25407.jpg)
![Image for Movietone News; issue number 37 (November 1974) [cover: Saul Bass's PHASE IV]](/assets/images/product/25405.jpg)
![Image for Movietone News; issue number 38 (January 8, 1975) [cover: Ingmar Bergman's SCENES FROM A MARRIAGE]](/assets/images/product/25404.jpg)
![Image for Movietone News; issue number 47 (January 21, 1976) [cover: Marlene Dietrich and Orson Welles in TOUCH OF EVIL]](/assets/images/product/25361.jpg)
![Image for Movietone News; issue number 48 (February 29, 1976) [cover: Edgar G. Ulmer's DETOUR]](/assets/images/product/25362.jpg)
![Image for Movietone News; issue number 49 (April 18, 1976) [cover: Isabelle Adjani in THE STORY OF ADELE H.]](/assets/images/product/25363.jpg)
![Image for Movietone News; issue number 50 (June 28, 1976) [cover: Samuel Fuller]](/assets/images/product/14992.jpg)
![Image for Movietone News; issue number 52 (October 11, 1976) [cover; Clint Eastwood in THE OUTLAW JOSEY WALES]](/assets/images/product/25365.jpg)
![Image for Movietone News; issue number 53 (January 16, 1977) [cover: Bruno S. in Werner Herzog's KASPAR HAUSER]](/assets/images/product/25366.jpg)
![Image for Movietone News; issue number 55 (September 16, 1977) [cover: Keith Carradine and Geraldine Chaplin in WELCOME TO L.A.]](/assets/images/product/25367.jpg)
![Image for Movietone News; issue number 56 (November 4, 1977) [cover: Klaus Kinski in Werner Herzog's AGUIRRE, THE WRATH OF GOD]](/assets/images/product/25368.jpg)
![Image for Movietone News; issue number 58-59 (August 14, 1978) [cover: THE BUDDY HOLLY STORY]](/assets/images/product/25370.jpg)
![Image for Movietone News; issue number 64-65 (March 13, 1980) [cover: Fabrice Luchini in Eric Rohmer's PERCEVAL]](/assets/images/product/25372.jpg)
![Image for Cultura [magazine]: Special Report: Argentine Cinema Today](/assets/images/product/23134.jpg)
![Image for Film Fan Monthly (April 1974) [cover: Dwight Frye]](/assets/images/product/24846.jpg)
![Image for Film Fan Monthly (April 1975) [cover: Rochelle Hudson]](/assets/images/product/24839.jpg)
